Let's try something a little different!

Okay, let's try this.  I wanted to do something picture-heavy and topical today, but I'm not in the mood to code a Treasury Wednesday (on Friday), so let's play clothing-and-jewelry pairings.  I don't get to do this much in real life, since I'm the youngest of my coworkers in a fairly conservative area, so virtual dress-up it is.

For the pretty base pieces in this post, I'm using Maxi dresses from Goddiva.  Just in the interests of disclosure.

Let's start with this little mesh-insert number, which -- yes -- is sort of daring for many people, but could easily go sci-fi (Inara cosplay, anyone?) to pull it off:



It's actually transparent, not silver; that's the mannequin.  Which leaves us with any metal option we desire.  How shall we make this fantastic?  I'm thinking with a big steampunk statement necklace like this one:


Sorry, sold to a pretty lady at Upstate Steampunk!

And maybe a jeweled belt, like this nice vintage example, which would suit either the teal or the red version of the dress and, in either case, introduces another high-contrast color that would be fantastic in a draped shawl, or as earrings:

Available here from Nana's Cottage House Antiques.

Instant sleek space-opera sci-fi -- or maybe even bustle it up over a constrast underskirt and see what happens.

Less costume and more couture, you say?  Fine.  Look at this peacock-patterned garment:



You could actually wear this under a waist-length leather jacket and calf-high boots, and have a bit more of a casual-elegant look on a spring day.  Try it with a necklace that adds more visual weight to the top half of the ensemble. For this purpose, I can't decide if I prefer the knotted linen from Grey Heart of Stone on the top or the repurposed bridle rosette from Funkyjunkmama below:



Probably the bridle rosette.  It picks up the colors attractively without blending in, and has a sturdier, heavier look that will contrast well with the dress's airiness.  Hey, both!  No?

On warmer days, this dress of course demands a light shrug and a cool big bracelet like this one:


Available here with matching earrings here.

Belatedly ...

... I really should mention that the Southern steampunk cons, Upstate Steampunk and AnachroCon, are well worth the trip.  I was a vendor at Upstate Steampunk at the beginning of the month.  It was a delight to meet so many fans of such vastly varying ages -- including many of my and M's colleagues, hers at Clemson and mine at the tech college!  This included Gypsey Teague, a lovely lady who makes killer chainmaille weaponry and who organizes the event with her partner.  Overall, the con was small but profitable and with superb gaming, and despite a giggling militant vegetarian who thought she was a pagan but didn't know what a solstice was at the next vendor table, I was delighted to meet a number of other vendors of clothing, jewelry, embroidery, fine art, etc. who were simply a pleasure.

I also had the great fortune of seeing some delightfully colorful steampunk outfits, including a young authoress who had assembled a brilliant bustled tatterpunk outfit in animal print.  It worked beautifully.

M and I did some fun multicultural stuff, including (for me) a Scottish-inspired pseudo-military ensemble with a vintage woman's kilt, a wool beret, and rendundant eyewear; and (for both of us) Anglicized/Orientalized North African outfits.  Me as warrior, M as harem girl.  She pulled it off with her usual aplomb.

Please, Southern steampunks: plan for AnachroCon in Atlanta at the end of winter and Upstate Steampunk next fall.  I can staunchly assure you that you won't regret it.


Available here.

A necklace I wanted to talk a little more about

Available here.

I named this necklace Arc of Ages, which is supposed to be a cleverish allusion to Rock of Ages (still a'rollin, rock of ages ...).  We got the vintage (I date it to the 1970s based on style) necklace base from Grandma's Antiques and Things, a fantastic little store run out of a garage in Pendleton which has become my primary steampunkerie supplier (the octogenarian proprietor is really having trouble figuring out what those nice girls are doing with all that weird hardware).

What I wanted to point out, because my blog, not my item descriptions, is the place for annoying self-congratulation, is the rather coherent symbolism that forms in the strange combination of materials here.  (Note that M deserves the majority of the credit for this.)  The large watch face, of course, aligns it with the sf-clockwork look.  The rectangular shield has an odd, delightful filigree pattern reminiscent of a somewhat mechanized paisley -- and of course, nothing is more neo-historical than shamelessly appropriating the motifs of other cultures (see here.)  The arrangement of the subtle gears (really, they're barely visible in person, the light picking them up for an instant before they vanish for a moment in the harmonized chaos of the design) arcs gracefully around the watch face like an event horizon.  Also suggesting the passage of time and the "message of ancient days," as the sole quote I know from Cicero pontificates, is the centerpiece of the watch face: an antiqued silvertone pewter connector in the shape of a Celtic knot, representing infinity.

Multicultural, neo-Victorian, time-traveller-esque -- I think I found steampunk, honey!  Two different thicknesses of triple-link cable chain (vintage) complete the necklace in a statement-goddess-waterfall shape.

I'm also proud of the rather slick wirework on the piece.  See the back:

Business Chatter

Business-minded readers may wish to check out a recent Bullish column here: Doing Business with Friends and Still Having Friends (and a Business), by Jen Dziura.  You can find me "joining the discussion" (i.e., rambling to the faceless 'Net; that site doesn't have much comment activity and I was excessively lengthy) at the bottom of the article.

And check out some of the new jewelry items in the Steampunk Assemblage section of the shop.  Shown are a pendant, a necklace, and a brooch, ranging from clean utopian styles to gritty post-apocalyptic assemblages:

Work-Life Balance and a Schedule Change

As I may have mentioned, I've started selling copywriting on both Etsy and Elance, and ... well, it's going pretty well, actually.

The Mafia-themed social media game didn't pan out -- I don't think they liked my character-dialogue audition piece, but since I submitted it without any real idea of the mood or character type they wanted, I don't feel much sense of failure over this -- but I'm currently writing product descriptions for Keys of Paradise, a fantastic spiritual/magickal supply shop, with fantastic herbs and candles and such, run by some fantastic people. Apparently they consider my descriptions fantastic as well, because the job morphed from a fixed-rate 400-descriptions deal to a long-term by-the-piece to a continuing semi-permanent article writing and editing gig.

Unfortunately, this means I've been neglecting the Etsy shops ... but I'm working at learning how to balance the two better. M and I have been making a lot of steampunk assemblage jewelry of late, since I'll be a vendor at Upstate Steampunk in Anderson this year. And I need to contact the awesome purveyor of hair accessories DaringlyDonna, a lovely local who we keep running into at Hancock's Fabrics, about swapping custom hair flowers for teapot earrings.

So we're not dead on the jewelry front! Just slowed while I find the proper equilibrium of the two creative businesses, and I should be finally adding more steampunk like I keep saying I will.


Available here.

Speaking of slight slowing: Since I'm doing so much paid writing, and since I was glancing through the lengthy list of MWF webcomics I read and realizing how much competition those days have got, I'll be switching the blog to a Tuesday/Thursday update schedule starting next week. It's only one less post per week. Also, Treasury Wednesday is becoming a monthly feature, first Wednesdays of every month. I get some traffic and some lovely comments, presumably from Google alerts, on those posts, but they're quite time-consuming and I'd like a better balance of written content, considering, y'know, I'm a writer and all.

And a day-brightening fact (for me, anyway): As I was building the updated APA citation guide for our tech college's Writing Center, I was modeling citations for weird stuff (historic photographs of unknown subjects, letters from university archives, that sort of thing) and it occurred to me that one of the dresses from the Met's "Orientalism in Fashion" web exhibit would be a great example. This led to me finding that my June blog post "Multiculturalism in Victorian Accessories" is, as of Tuesday, the seventh Google result for the terms "Victorian clothing Orientalism." And that, my friends, is sweet.

Turning the evil eye, or, Multicultural beads! Yay!

My favorite big-box wholesaler recently (and by "recently" I of course mean "four or five months ago") put up an interesting article which is a brief discussion of the history of "eye" beads in multiple cultures, including African and Arabian ones. Great resource for those doing multicultural steampunk, as I find that steampunk designs are often at their best when their cultural affiliation and their salvaged nature, if any, are subtle and harmonious parts of the design. After reading it, I'm thinking of working some agate eyes into one of my "steamsonae."

I've gotten some excellent evil-eye pendants in the recent past from Lorienna on Etsy. The items come from Ankara, but I've found her remarkably speedy, and the evil-eye glass items are handmade in Turkey:


And a weird pair of earrings for your pleasure:

Available here.

Wonderful, weird couture

From the Department of Cool Victorian Clothing, in conjunction with the Department of "Stuff You See a Lot Of in Steampunk Jewelry that Is Surprisingly Historically Accurate":

The internet was abuzz a couple of months back over the restoration of the dress from John Singer Sargent's Lady Macbeth:


Courtesy JSSGallery.org.

If you missed it, it's well worth a look: here are Virtual Victorian's and the Daily Mail's articles on the dress.

The interesting elements? A.) The dress was famously worn by the gorgeous redhead actress Ellen Terry, who I have always found M to rather resemble, in 1888, and B.) it's adorned with hundreds and hundreds of actual beetle wings. You know, like these and these.

The description of the repair process in the first article linked is also quite technically interesting for those who do such delicate work.

A glut of history lately? Now, necklaces!

I expect the two weeks of Oh Hai Super Intellectual are probably wearing on everyone by now, so a light post of pretty stuff today!

Observe the evolution of the steampunk button necklaces.  From this:


Available here, and okay, it's not actually steampunk.

To this:


Sold!

To this:


Available here.

I need to work on getting back to the relatively simple, found-object assemblage style in the middle of the process -- while I like the multi-buttons, especially with the very unified rope-and-flower motifs, I think the cleaner lines and simpler contrasts were a different look and got better reactions.

Treasury Wednesday: Sugar and spice? Also, my "rules" for making these

When I make a treasury, I select items with this sort of "decision tree." This isn't anything I've codified, mind you, these are just the priorities that have evolved naturally as I became dedicated to the idea of letting these be my community presence.

First of all, I won't feature anything that I strongly suspect to be a reseller item. I'm certain that some slip through my grasp, but I'm pretty careful. Also, blatantly incorrect tagging and glaring spelling errors drop things very low down the list of things I want to feature.

After those basics, my first priority is photo quality. I try to emphasize both good photography and well-made items -- decoupaged clothespins go in way after hand-drawn sketches. Good crisp lighting, however, trumps it; if the clothespins were photographed well and the sketch poorly, in they go and out goes the sketch.

I select to match both a color family and a theme, but color comes first.

If I have the option of a well-known, oft-featured shop and a newer one, all other factors being equal, I go with the newer one. I try to overemphasize shops with fewer than 100 instances of feedback.

Last and least important is avoiding competing with myself or M. I won't feature fairy doors or plush squid, and I do attempt to limit jewelry, though mostly that's because I try to have a wide range of item types.

This treasury is a great example because I managed to get a good number of newer shops, to emphasize some really excellent photography, and to make every single item fit a theme/story. It's a little naughty, which I always expect people to remark on more than they do -- you'll notice some bondage-themed items, never mind the corsetry -- but has an appealingly innocent look covering the wickedness, with a light blue and dark blood red combination that's unconventional enough to intrigue but could easily be a standard slightly-vintage Fourth of July scheme.

'One Way or the Other' by balletllama

Light blue and bright red in a variety of beautiful vintage-inspired designs. And once you see the story, just a bit scandalous.

Giclee illustration... choumie7 $15.00	SALE SALE 1970s lig... Threefeathersv... $20.00	Royal Blood - Chain... rabbitdance $70.00	pretty blue ribbon ... labellefairy $299.00
SALE. Group of thre... HouseOfCeramic... $54.00	dog waltz - fine ar... olivedear $30.00	Personalized Pet Bo... patspottery $26.00	Red Leather Rose Fl... Wycked $199.00
Hilarious, Mean Any... goatcards $3.50	Caught in a Net of... FruttiTuttiBea... $33.00	Red satin cupped lo... MorganaFemmeCo... $995.00	Classic Cameo Heart... lovesoapapilla $8.00
Untitled 12x8 Fine ... alicelily $35.00	Burlesque Gloves wi... DelilahBurlesq... $25.00	Baby blue linen cus... copperpod $30.00	Hand painted Doggie... jakeybb $399.00

Treasury tool by Red Row Studio.

Multiculturalism in Victorian Accessories

Victorian clothing was slightly more resistant to extremes than we are sometimes led to believe.  Then as now, Paris was the center of the fashion world, where extremes of couture included (during Jane Austen's era) piercing the nipples and wearing sheer, dampened bodices so the piercings were visible through the clothing -- and the Parisian fashion plates we think of as our primary sources for Victorian clothing were to the dress of, say, wealthy English and German women in the 19th century as high-fashion magazines are to day-to-day celebrity attire today.
However, while dresses might stay plainer and more conservative than fashion plates show, worldly socialites wished to bedeck themselves in all the luxuries of Empire; colonial capitalists wanted to adorn their daughters in the spoils of their trade.  This meant both other parts of Europe, plus "the Orient" (Africa and the East). Yet, this article discusses, the Eastern woman was stereotyped to be the antithesis of everything a Victorian woman ought to be.  So how to combine that "exotic" allure with good, stolid Western virtue?

Accessories and trimmings.


Victorian outerwear mantles from the 1850s and 1870s, North African inspired, in the collection of the Metropolitan Museum of Art, whose online exhibit of Orientalist clothing is here and as droolworthy as it is educational.

Hence, we get turbans worn for evening in the 30s, patterned Chinese and Japanese silks and velvet brocades in at-home and bedroom wear throughout three centuries (the wallpaper in the Ribbon and Ladies' Bedrooms at Woodburn is another great example), and mosaic jewelry, Etruscan Revival jewelry like the demi-parure below, and (I kid you not) chandelier earrings.


Image courtesy of Jewels at South Kensington.

Unbeknownst to most, cameos are actually an expression of, not Orientalism but definitely multiculturalism.  They're an old art form; there's a tale of Alexander the Great presenting his lover Bagoas with a cameo portrait in chalcedony.  The best place in the world to get cameos was (and is) Pompeii, where there was a school of cameo-making and where students sold their work to pay their tuition. Lava cameos, made from the remaining lava rock from the Mt. Vesuvius explosion, were most popular. Lava cameos were a frequent gift to sweethearts when a young gentleman just out of school finished his Grand Tour. Owning one meant that you or someone you knew had either been to Rome or paid an exorbitant amount for an import.

For more on multicultural Victorian accessories: Have a look at the references to African imported silks and the turban Algerienne (remember Algeria was a violently oppressed French colony at the time) in these 1844 fashion forecasts, and later, this discussion of Poiret's exoticized Edwardian hats and slippers.  And Beyond Victoriana has a wonderful analysis of what incorporating Orientalism (or the delightful neologism "Victorientalism") in steampunk actually means; I don't entirely agree with the discussion, because I frankly think the alternative to Victorientalism is whitewashing, but it is intelligent and anyone interested in Orientalism should give it a read.

More excellent copywriting on Etsy

Two descriptions from Etsy that are doing it right:


Photo copyright EcoPrint.

These coasters are incisively and interestingly described with an excellent use of fresh, connotative adjectives. They could use a bit more, maybe an extra paragraph referencing their medieval-inspired nature and three-dimensional grayscale artwork, but what there is really shines. "Sophisticated and modern" are fair choices, but the better sentence is "Cork sheets are precisely cut and glued onto the back of the coasters for support." It would have been so easy to say "coasters are backed with cork," but this seller has made the choice to take up a very little bit more time to suggest careful craftsmanship -- "precisely" -- and long-wearing sturdiness -- "support."

Now some love for a fellow jewelry designer:


Photo copyright Kristin Berwald.

This artful necklace is remarkably well-described. Not surprising, given nearly 1200 sales! Every aspect of the piece is briefly but completely highlighted. "Story" is given in a manner that's intriguing, not annoying -- "The watch movement is from an Elgin pocket watch made in 1924."

Where the strength of the coasters' description is in adjectives, this one's is in verbs. Items are "showcased" or "glow" instead of just ... being there. Assemblages are "built"; the necklace doesn't hang, it "drapes." Everything can stand improvement, and the adjectives could perhaps take some spice -- there's a slight over-reliance on uninspiring standbys like "elegant" and "nature-inspired" -- but overall, this is a beautifully written piece of copy, and from me it gets an A.

Home decor of nerdy glee

This warms the cockles of my heart and makes my hand twitch instinctively toward the Mod Podge:


Image courtesy Jennifer Ofenstein.

Isn't that incredibly cool?  I am thinking of perhaps a desk nook done in Victorian naturalist texts, damaged Audobon guides, cryptozoology sketches, with pressed leaves and flowers added for more color and texture.  It would be glorious.

The same person does awesome paper-piecing patterns: Here's a great little tutorial on using them for greeting cards.

Steampunk Skills

In my heart, I still really prefer a steampunk that is a lot more "punk" than "steam."


Available here.

I don't think that things need to be dripping in gears (or octopi) to be steampunk.  The "purist" view is that it's not steampunk unless it's functional; I'm not sure I ascribe to that either.  I like the William Morris standpoint on the technology vs. aesthetic thing: "Have nothing in your homes that you do not know to be useful or feel to be beautiful."  To me, it naturally follows that either is good but both is best.

Nor is steampunk just a "look" to me, though there's definitely some level of know-it-when-I-see-it going on here with the clothing and accessories.  As an iteration of punk, it's a mindset and an aesthetic.

Primarily, the mindset is characterized by the oft-calligraphied Japanese phrase "onkochishin": "Honor the past to create the new."  It's a looking backwards to solve the evils of now and recreate the present; it's looking at the world and saying, "You know?  We don't have to break this to remake it.  We can have science and responsibility and wonder.  They can become the same thing again.  We can save the world by changing our ways, not by eschewing them."

(Please allow me a moment to be a Lord of the Rings fanatic: "He who breaks a thing to find out what it is has left the path of reason," Gandalf advised us.  And while Papa Tolkien is no doubt revolving in his grave to have me say it:  That applies to the technological lifestyle too.  We don't have to destroy either the ways of the past or the ways of now to understand them, nor to improve them.)

The steampunk culture looks to the past and incorporates it in order to celebrate it  -- which is almost universal; the only reason it's settled on neo-Victorian is because that's where/when our society's cultural memory says, "This is when science and beauty and romance and heroism and practicality could all be realistic concepts at the same time."  It's really not about a particular time period.  It's about recreating the useful and the beautiful in one another's image to create a world that both looks and works well.

This isn't to say there isn't harsh, gritty steampunk alongside the elegant gleam.  The wisdom of the culture lies not in its settings but in its meanings -- in what it takes as its heroes.

Consequently, while I can't mod my technology and I don't drive a steam-powered hovercraft, these are the things I consider my "steampunk skills":

This is a thing.

Today, I finished my makeup (I wear makeup now; I deserve praise for this, even though it's only powder/blusher), put my eyes back on, looked in the mirror, and said, "Oh, God, I'm dressed like an Etsy seller today."

Not sure why this occurs.  Dark jeans, black sweater, brightly colored necklace, thrift-store Mary Janes, and my hair styled in its usual manner (i.e., run a brush through it, drag in a stretchy headband, pretend the Hermione-esque waviness and body were deliberate).  Admittedly, the headband today is a cheap mass-produced one that I bought for four dollars at Ross, because ethical all-handmade consumption is not actually all that affordable, but people ask me all the time if I made it.  So there's that. 

And yet somehow, all it needs to be the perfect "artsy-artist commie weirdo look," as I described it to M, is a beret.  I do have a beret.  It's wool and from the 50s and slightly mothnibbled on one side, and it fits my big head, and I love it, and I am still slightly ashamed because my grandfather picked it up at a yard sale about six or seven years ago, and I plucked it off his head and stole it from him.

Is an interest at costuming prerequisite for this?: I always feel most confident when dressed to a theme.  I rarely think of a theme when I am actually dressing.  But if I glance in the mirror and go "Dude -- I just walked out of a Degas painting," or "Wow -- poor bohemian at a job interview much?", I feel better about my clothing choices.  This is part of the reason steampunk appeals to me so much; it gives me a clear self-presentation that doesn't preclude any of the clothes I love, like "gypsy" skirts (yes, I know that's racist) or shirtwaists or military jackets or hell, even blue jeans.

I was going to wear my new fedora, a gorgeous creation in heather-grey tone-on-tone polka dots with trim and feathers, but M said "Artsy hipster is artsy!" so I took it off.  Maybe Monday.


Available here.

Treasury Wednesday: Back to the steampunk oddities again

I've been really entertained by all the different interpretations featured sellers have had of the title of this one. It was actually referring to one of M's new tabletop characters, whose name graces that purple shell bridal set; it's another steampunk game, and the girl is in a relationship of which her guardian would not approve. Hence the title. Other people's interpretations have been rather more interesting, though, I think.

Lots of interesting traditional art:

'Don't Tell Grandmother' by tangopig

Time; beauty; quirkiness; corrosion.

BRASS Sunburst Hair... Antickquities $10.00	Original Mixed Medi... miscler $23.00	She Is Mine - Victo... WishingThorn $	Dolls, photo postca... opticwaste $12.00
ON SALE 40% OFF Yos... HaremRoyal $58.80	In Memory Of OpulentOdditie... $98.00	Factory Farmer 8x1... velvetrifle123 $25.00	Vintage Inspired Ta... JacquelynVacca... $6.00
Black Mini Top Hat ... lacocorouge $58.00	VICTORIAN ADVENTURE... OliviasOubliet... $89.00	NEW Lower Price & B... MadmanIncognit... $7.00	Steampunk MAGICAL C... oldjunkyardbou... $29.99
REAL CLEARANCE -Vin... Tistjewelry $5.00	Miss Riga- Long Lux... LaimaShop $38.00	SALE Eye SEE YOU EY... utilitarianfra... $35.00	ROTTEN ROW Illustra... Edweirdian $

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