Mixed-Media Bracelets?

So lately I've been thinking (and the thought won't leave my mind) -- I rarely wear bracelets anymore (except for my awesome geisha charm bracelet that I traded to a customer for some item descriptions), because I spend my day writing and typing and digging in the dirt and it's a very rare bracelet that doesn't impede my work. However, I love the look of a big, rattly, gorgeous bracelet (not a cuff, a bracelet-bracelet).

I also have a whole lot of single-strand bracelets that I've made to sell from a bowl at shows ... and have never sold a single one in person.


Lots of 5 at a great low price available here.

Since those are adjustable bracelets made with nice beads, here's my plan: I'll add one to three strands to the original (parallel, wrapped, or braided), then secure a cluster of unbreakable/break-resistant charms, buttons, and beads to the lobster clasp so that both sides (strands and clasp) can serve as a focal element.

Some methods I'd like to try:

1. Braiding some of my massive overstock of vintage pendant chain to make up a strand (this may be too stiff; we'll see).
2. Strips of cloth/lace/ribbon secured to a base cord with a wrapping of fine wire, as shown in winter's Belle Armoire Jewelry.
3. Leather cord -- which I've never done a thing with, ever, and feel a vague responsibility to try.
4. A wirework element making up one strand.
5. Interactive elements, like sliding beads and similar worry stones.
6. Handmade wire chain (another Belle Armoire project I've been itching to try).
7. A chain made of two-hole buttons (which shouldn't be too fragile if it's not especially load-bearing).

New sales! Hooray!

I have just sold fifteen pairs of earrings, nine of them custom designs.  Today is a good day.  Pictures to come.


Now available exclusively from McAuley's in Anderson, SC, unless you are lucky enough to be the tasteful Etsy shopper who got the first pair.

Longtime readers will recall that the last time I worked with a brick-and-mortar, they were pricing my 120-dollar Swarovski piece at $24 -- and it came back completely crushed, and I'm still trying to figure out a way to salvage the piece as a mixed-media exercise for less than the price of the materials.  But I have much higher hopes for this!

Let's try something a little different!

Okay, let's try this.  I wanted to do something picture-heavy and topical today, but I'm not in the mood to code a Treasury Wednesday (on Friday), so let's play clothing-and-jewelry pairings.  I don't get to do this much in real life, since I'm the youngest of my coworkers in a fairly conservative area, so virtual dress-up it is.

For the pretty base pieces in this post, I'm using Maxi dresses from Goddiva.  Just in the interests of disclosure.

Let's start with this little mesh-insert number, which -- yes -- is sort of daring for many people, but could easily go sci-fi (Inara cosplay, anyone?) to pull it off:



It's actually transparent, not silver; that's the mannequin.  Which leaves us with any metal option we desire.  How shall we make this fantastic?  I'm thinking with a big steampunk statement necklace like this one:


Sorry, sold to a pretty lady at Upstate Steampunk!

And maybe a jeweled belt, like this nice vintage example, which would suit either the teal or the red version of the dress and, in either case, introduces another high-contrast color that would be fantastic in a draped shawl, or as earrings:

Available here from Nana's Cottage House Antiques.

Instant sleek space-opera sci-fi -- or maybe even bustle it up over a constrast underskirt and see what happens.

Less costume and more couture, you say?  Fine.  Look at this peacock-patterned garment:



You could actually wear this under a waist-length leather jacket and calf-high boots, and have a bit more of a casual-elegant look on a spring day.  Try it with a necklace that adds more visual weight to the top half of the ensemble. For this purpose, I can't decide if I prefer the knotted linen from Grey Heart of Stone on the top or the repurposed bridle rosette from Funkyjunkmama below:



Probably the bridle rosette.  It picks up the colors attractively without blending in, and has a sturdier, heavier look that will contrast well with the dress's airiness.  Hey, both!  No?

On warmer days, this dress of course demands a light shrug and a cool big bracelet like this one:


Available here with matching earrings here.

Belatedly ...

... I really should mention that the Southern steampunk cons, Upstate Steampunk and AnachroCon, are well worth the trip.  I was a vendor at Upstate Steampunk at the beginning of the month.  It was a delight to meet so many fans of such vastly varying ages -- including many of my and M's colleagues, hers at Clemson and mine at the tech college!  This included Gypsey Teague, a lovely lady who makes killer chainmaille weaponry and who organizes the event with her partner.  Overall, the con was small but profitable and with superb gaming, and despite a giggling militant vegetarian who thought she was a pagan but didn't know what a solstice was at the next vendor table, I was delighted to meet a number of other vendors of clothing, jewelry, embroidery, fine art, etc. who were simply a pleasure.

I also had the great fortune of seeing some delightfully colorful steampunk outfits, including a young authoress who had assembled a brilliant bustled tatterpunk outfit in animal print.  It worked beautifully.

M and I did some fun multicultural stuff, including (for me) a Scottish-inspired pseudo-military ensemble with a vintage woman's kilt, a wool beret, and rendundant eyewear; and (for both of us) Anglicized/Orientalized North African outfits.  Me as warrior, M as harem girl.  She pulled it off with her usual aplomb.

Please, Southern steampunks: plan for AnachroCon in Atlanta at the end of winter and Upstate Steampunk next fall.  I can staunchly assure you that you won't regret it.


Available here.

A Review of Pottermore by Someone Unaffiliated with Sony

So, as longtime readers have certainly grasped by now, I have something of a love for Harry Potter.  I spoke on gendered intepretations of the broomstick as symbol in modern literature at the 2009 convention; here's some of the massive amount of Potter-inspired jewelry I've made (please excuse the older photos):





So it will surprise no one that M and I were among those who fought for a place in the beta for Pottermore, which is supposed to be an interactive companion to the books containing more information about minor characters, ghost plots, and other things that weren't told in detail within the scope of the series.

Overall, we've found it interesting but disappointing.  Most of the problem is in the advertising.  There was a massive amount of hype for this -- website countdowns, early announcements, competitions for early-admission spots -- and it was not made entirely clear whether this was a game, or a bunch of illustrations, or an interactive ebook ... or what.

It's set up like a collection of illustrations tied to a social-media game.  There are quizzes to take and House points to earn, and there are some little side games, like potion-brewing and spellcasting.  However, the actual game bits tend to be buggy and unresponsive, partly because the servers clearly weren't ready when early registration was first opened and partly because, well, it's in beta.  But ... there's nowhere to give specific feedback.  There's a generalized feedback form that asks you to give a one-to-four rating of how it works, how it looks, and "how you're liking Pottermore so far," but no way to say "When you try to make the Herbicide Potion, the worm mucus isn't clickable; you just pick up the Valerian if you try."  Which you'd think would be the important thing about doing a beta run.  It's starting to feel like all they really wanted was a demographic survey.

The ... I don't even know what to call it, because it's not a game or an ebook or anything really ... Pottermore is unquestionably beautiful.  Each chapter of the book has two or three corresponding "moments" you can access through the ... here we go again ... through Pottermore, and each "moment" has a multi-layered artwork.  Chapter thirteen, the one with Norbert the dragon in it, is absolutely breathtaking. 

And yet there's nothing to do.  You get to collect books and objects throughout the scenes (though in the really lovely chapter, there's not a damn thing to pick up ... and you still end up having to look), but there's no competitive aspect -- it doesn't really penalize you for not finding the jellybeans on the train -- and there's no reward for finding everything.  A few things, when you click on them, will unlock interesting extra information that's been written for the ... for Pottermore.  For instance, there's an entire biography of Professor McGonagall that you pick up over the course of the story, a few paragraphs for every chapter in which she appears.  This is quite worthwhile for people who enjoy the series.  There's not a lot of information -- there's a lot less than the advertising suggested there would be -- but it's worth playing through for it.

Yet the social-media aspect of the ... thing ... seems to imply that it was imagined that people would sink time and effort into Pottermore.  Would return daily to try to earn House points.  But the part that was hyped, the companion to the books, takes less than a day to "play" or "read" or "work" through per book.  And here's the rub -- the books open one at a time.

At this point, the only thing I'm returning daily to do is to check whether the next book has opened up.  Sometimes I try to make a potion, but the timing on this requires you to either find 90 minutes of stuff to do in Pottermore (difficult) or set a real-world timer (I'm resisting the nerdiness).  As of the end of August, it was still only the first book.  With overall opening slated for October, I'm not sure how they're planning to beta later book-companions at this point -- there's just no time. 

The material shows a lot of promise, but Pottermore can't decide what it is.  This cripples the game because it cannot meet the expectations raised by marketing, weakens the storytelling because the different aspects seem to have been developed at the expense of one another, and distracts from the companion information because the reader is treacherously wondering, "This is all?"

Pottermore could have been a great advance either in interactive reading, or in book-related gaming, but it tried to be both and therefore is neither.  It tried to be something new so hard that it isn't anything.  It has potential as a stepping stone, and it's still worth playing/reading/social media-ing/whatever, but don't expect your mind to be blown.

It's my birthday and I'll talk about buttons if I want to

Yes, in fact it is.  My age is a palindrome for the first time in eleven years!  And until midnight M and I are only 8 years apart!

The buttons from the necklace I posted last week came from the single best deal I've ever gotten on vintage buttons.  Here's another made from buttons from the same lot:

 
Available here.

It was at a yard sale, and the guy selling them had sorted them into jars by color and clearly knew they were of value, but some jars had a horrifically foul-smelling mold in them, so he gave me a price cut on all of them if I was willing to clean them myself.  It turned out that only one jar had the mold, and the smell in the others was merely the natural consequence of putting lots and lots of Lucite in an airtight glass jar for a couple of months (Lucite stinks a little; it contains some kind of acid whose name escapes me at the moment).  I scrubbed them all with toothbrushes and buried them all in coffee grounds, and only ended up losing the one jar; the rest smell just fine, and there wasn't a single junk button.  All primo vintage stock.

Consequently, I can afford to do a special offer on stuff from that lot.  So here it is.  Buy two items, at least one containing buttons (look here), and get 20% off on the lower-priced item when you check out with the code "Lucite always kinda smells if you seal it in a glass jar for a month."  Spelling doesn't count.  Add the code to the Note to Seller when you buy and I'll give you the discount within 24 hours through PayPal.  Offer lasts until11:59 PM on September 30.

Instant Vintage

Available here.

What is it about this color combination that screams "vintage"?

I mean, naturally the color of the large plastic/resin buttons is very vintage -- I generally refer to that shade as "60's peachy pink," though from a quick consultation of that ever-handy resource, Wikipedia's list of colors by shade, I suppose technically it's coral.  (Random side note -- I'm that weird genetic anomaly, a colorblind female, so I can't actually distinguish a strong orange from a true red.  I have to ask M for a judgment of harmony if I'm designing in reds or greens, and it's made putting together the Mixed Media Packs for Ballet Llama something of an adventure.)

Anyway.  It's not the muted coral hue I'm referring to, but the combination of it with black.  Pink with black always looks either vintage awesome or modern tweeny "rock star" bleh to me, but this is a particular combination that M and some of my coworkers reacted to in the same manner.  Maybe it's the blue-black jet hue of the blacks that's doing it; that's also a very vintage-feeling color.

This, incidentally, is also one where I bit the bullet and included a photo on black, which may or may not have actually been a good idea:


But it looked too bizarre with black at the edges and white in the middle, and this gives a truer idea of the variation among the buttons, so this was the only way to make the contrast work.

In general, these aren't great photos. I'll need to rework the cropping, I think, and try for a deeper focus.

But hey, check out those great 1960s flapper-style rose beads!

As a matter of interest ...

While my suppliers are trying to calm everyone, the laws of supply and demand would indicate that turquoise prices are going to hit the roof again like they did in the 1980s.  China is going to be dramatically slowing its production of turquoise rough -- a couple of sources are suggesting that that country's output may fall by as much as 75%.


Available here.

While this is no doubt exaggerated, it has some interesting implications.  A lot of turquoise miners are going to lose their jobs -- but the loss of life in mining should slow too.  The environment around some of the turquoise mines should improve.

And as for what this will do in the jewelry industry ... well, turquoise was recently a Pantone Color of the Year, and it is still exceedingly popular, since it fits both the fruity jelly-bean shades that are in everything this year and the dustier ones predicted for next summer.  As the prices rise, we may see a surge in substitutes, like dyed or undyed howlite, which pleases me -- I much prefer howlite.  Turquoise may be found in fine jewelry more often than casual jewelry by the end of this decade -- as it becomes priced as a luxury, it may be paired with sterling, gold, and precious stones more often than leather, fiber, and bone.  That could conceivably redefine tribal/ethnic-inspired jewelry styles.

This will be interesting to see!

Unrelatedly, I am sick.  I do this every year, but usually I manage to weather it before the school year begins.  However, it's possible my body is still on California scheduling (UCR starts in late September) and thinks it's got plenty of time to be ridiculous.

A Little Grin

In the description for the earrings below, I actually used the one really cool thing I learned from the Etsy writing workshop: Using a quick, unusual story to explain damage to a vintage item.



Sold!

To wit: "The two large pearl beads have slightly different shades and imperfections (I like to imagine it comes of their being worn by a dangerous gang of flapper girls for a famous faux pearl heist), but this is barely visible and what can be seen only enhances the vintage feel of the earrings."


It's always nice when something you wrote makes you smile a little later on.  I got this feeling from the descriptions of some of the stick incenses for my current Elance client, too.  It's a high, like suddenly realizing that the beads are falling into an additional pattern you didn't even plan but which is perfect.  Flipping over a pancake to find you've judged just right and it's wholly fluffy, and melt-in-your-mouth gold.  Or perfectly executing a martial arts form.

Things I Am Slightly Chagrined By

1. I'm making more in a month of copywriting than I ever made even in Decembers from my jewelry business.  Admittedly, most of it's coming from Elance, but I've been at the jewelry for three years (going on four) and the copywriting for three months.  There is something slightly frightening about this.
2. I'm officially giving up the ghost on frontal toggles.  Every time a new Stringing hits the grocery store, there's a new and interesting way to put the clasp in front, to the side, as a pendant base, interchangeable, adjustable, convertible -- just stop.  I am going to accept that my jewelry has boring clasp placement, at least for a while.  I use too many different toggle designs (because I match them carefully with the piece's look) to put myself through this anymore.
3. Teapot earrings -- a billion variations on a single finding -- beat out every other category I can make for top jewelry sales ever.  Maybe this is less chagrin and more astonished laughter.  But yeah.

Sold!

Finding Changes

I like to delude myself that I make these posts so that when I'm rich and famous, my slavish scholarly fans will be able to date my work.  Also, I figure you customer types like to know I actually think about this stuff.

In the past, with some variations, I've used flat headpins and fishhook earwires, as such:


However, especially with doing all the bridal designs, I've occasionally ended up using ball headpins and French wires, as such:


Images courtesy Fire Mountain Gems.

I've just finally made the investment to switch over more or less entirely to the second option.  I prefer the look of ballpins, which give the effect of a tiny additional bead rather than a "stopper" -- and they mimic the look of hand-fired ones better.  Also, while I never believed all the people who told me this, the coiled fishhook wires genuinely don't balance quite as well.  Admittedly, I don't have problems with them -- and I send all my heavier earrings with rubber stoppers to solve any problems others with less beefy earlobes have -- but the ball-end ones give a touch of confidence.  And they're rarer, so I think they look more professional.

So I'll work through my former stock -- especially since there are some design types that the coiled wires suit beautifully, I just don't do them that often.  But overall, I've decided that it's going to be mostly ball-type findings from here on out.

With exceptions to be made, of course, for cool headpins like the enameled ones in these earrings:


Available here.

But ball earwires, anyway.  Although wrapping a colored wire over the coils might be cool ... I'm off to experiment.

Huh?

Two mystifying pieces of feedback we received recently on Ballet Llama recently:


"Item much nicer than expected."


"haven't seen them yet, I know I will like them."

...
So ... um ... vintage beads and findings from Ballet Llama are so nice that you'll be able to tell how high-quality they are before they arrive! ... even when you're ... expecting not to like them at all?

Man, I'm supposed to be the expert and I have no idea how to spin this.

Thanks to the relevant customers for their purchases and their lovely feedback, even though it confused me.  <3

A necklace I wanted to talk a little more about

Available here.

I named this necklace Arc of Ages, which is supposed to be a cleverish allusion to Rock of Ages (still a'rollin, rock of ages ...).  We got the vintage (I date it to the 1970s based on style) necklace base from Grandma's Antiques and Things, a fantastic little store run out of a garage in Pendleton which has become my primary steampunkerie supplier (the octogenarian proprietor is really having trouble figuring out what those nice girls are doing with all that weird hardware).

What I wanted to point out, because my blog, not my item descriptions, is the place for annoying self-congratulation, is the rather coherent symbolism that forms in the strange combination of materials here.  (Note that M deserves the majority of the credit for this.)  The large watch face, of course, aligns it with the sf-clockwork look.  The rectangular shield has an odd, delightful filigree pattern reminiscent of a somewhat mechanized paisley -- and of course, nothing is more neo-historical than shamelessly appropriating the motifs of other cultures (see here.)  The arrangement of the subtle gears (really, they're barely visible in person, the light picking them up for an instant before they vanish for a moment in the harmonized chaos of the design) arcs gracefully around the watch face like an event horizon.  Also suggesting the passage of time and the "message of ancient days," as the sole quote I know from Cicero pontificates, is the centerpiece of the watch face: an antiqued silvertone pewter connector in the shape of a Celtic knot, representing infinity.

Multicultural, neo-Victorian, time-traveller-esque -- I think I found steampunk, honey!  Two different thicknesses of triple-link cable chain (vintage) complete the necklace in a statement-goddess-waterfall shape.

I'm also proud of the rather slick wirework on the piece.  See the back:

Business Chatter

Business-minded readers may wish to check out a recent Bullish column here: Doing Business with Friends and Still Having Friends (and a Business), by Jen Dziura.  You can find me "joining the discussion" (i.e., rambling to the faceless 'Net; that site doesn't have much comment activity and I was excessively lengthy) at the bottom of the article.

And check out some of the new jewelry items in the Steampunk Assemblage section of the shop.  Shown are a pendant, a necklace, and a brooch, ranging from clean utopian styles to gritty post-apocalyptic assemblages:

Work-Life Balance and a Schedule Change

As I may have mentioned, I've started selling copywriting on both Etsy and Elance, and ... well, it's going pretty well, actually.

The Mafia-themed social media game didn't pan out -- I don't think they liked my character-dialogue audition piece, but since I submitted it without any real idea of the mood or character type they wanted, I don't feel much sense of failure over this -- but I'm currently writing product descriptions for Keys of Paradise, a fantastic spiritual/magickal supply shop, with fantastic herbs and candles and such, run by some fantastic people. Apparently they consider my descriptions fantastic as well, because the job morphed from a fixed-rate 400-descriptions deal to a long-term by-the-piece to a continuing semi-permanent article writing and editing gig.

Unfortunately, this means I've been neglecting the Etsy shops ... but I'm working at learning how to balance the two better. M and I have been making a lot of steampunk assemblage jewelry of late, since I'll be a vendor at Upstate Steampunk in Anderson this year. And I need to contact the awesome purveyor of hair accessories DaringlyDonna, a lovely local who we keep running into at Hancock's Fabrics, about swapping custom hair flowers for teapot earrings.

So we're not dead on the jewelry front! Just slowed while I find the proper equilibrium of the two creative businesses, and I should be finally adding more steampunk like I keep saying I will.


Available here.

Speaking of slight slowing: Since I'm doing so much paid writing, and since I was glancing through the lengthy list of MWF webcomics I read and realizing how much competition those days have got, I'll be switching the blog to a Tuesday/Thursday update schedule starting next week. It's only one less post per week. Also, Treasury Wednesday is becoming a monthly feature, first Wednesdays of every month. I get some traffic and some lovely comments, presumably from Google alerts, on those posts, but they're quite time-consuming and I'd like a better balance of written content, considering, y'know, I'm a writer and all.

And a day-brightening fact (for me, anyway): As I was building the updated APA citation guide for our tech college's Writing Center, I was modeling citations for weird stuff (historic photographs of unknown subjects, letters from university archives, that sort of thing) and it occurred to me that one of the dresses from the Met's "Orientalism in Fashion" web exhibit would be a great example. This led to me finding that my June blog post "Multiculturalism in Victorian Accessories" is, as of Tuesday, the seventh Google result for the terms "Victorian clothing Orientalism." And that, my friends, is sweet.

Two Musings

Available here.

1.) Somewhere, there is an earring civilization.  Venerable sterling elders with French hooks advise plastic clip-ons on how to raise their feather-and-kidney-wire young to be good and productive earring citizens.  Their mythology always seems to center around the quest to find one's soulmate, becoming a perfectly matched pair -- er, couple.

2.) I was reading an out-of-date travel magazine the other day while I waited for the laundry quarters to be spent, and there was an article about the memory triggers of smell.  This is something I often tell students about their papers -- scent is the single strongest memory trigger, you can tell me about how Grandma's house at Christmas looked for three pages, but if you add three lines at strategic intervals about how it smelled, you've doubled the narrative's force.  It's inspiring in that maddening way -- if only you could make jewelry of a smell.

I'll never forget the first time I stepped out of the airport in Charlotte.  The smell of the South is like nothing else, and describing it is as hard as putting into words that waxy, fleshy sheen of a salad-plate-sized magnolia blossom, or finding the perfect metaphor for the sound a cicada makes.  Think of clean water, freshly cut grass, and an assortment of fine cigars pristine, fragrant and unsmoked in their cedar box.

Yeah.  Like that.

The garden in mid-June: Coleus, native asters, thrift and liatris and rue.

Some recent photos with nice lighting

A couple of recent photos I've been very proud of, but which are of things in the Ballet Llama shop:


Magnetic hematite 8mm beads, available here.



Hand-sculpted polymer clay rose pendant, available here.


Retro plastic alphabet beads, available here.

Getting good photos is definitely harder on a saturated-color background, but I'm pleased with the lighting and cropping in these!

A glut of history lately? Now, necklaces!

I expect the two weeks of Oh Hai Super Intellectual are probably wearing on everyone by now, so a light post of pretty stuff today!

Observe the evolution of the steampunk button necklaces.  From this:


Available here, and okay, it's not actually steampunk.

To this:


Sold!

To this:


Available here.

I need to work on getting back to the relatively simple, found-object assemblage style in the middle of the process -- while I like the multi-buttons, especially with the very unified rope-and-flower motifs, I think the cleaner lines and simpler contrasts were a different look and got better reactions.

The glory that was Rome

A necklace heavily inspired by Gradiva, the novella by Wilhelm Jensen based on a Roman bas-relief; the artwork and book jointly inspired some of Freud's ideas about fetish and a Dali painting.

Here's my interpretation:

Available here.

The cameo is a vintage glazed ceramic piece I've had for donkey's years, worked into one of my nest-type bezels.  When I'm making those I'm always convinced they're not working, but they almost always do ...  The wirework on the chain is not just decorative, but secures the connections between the chain and the beading in a graceful, textural manner.

Cameos are an old art form.  In the pre-industrial age, cameos were not the molded-resin pretties we are familiar with today, but were hand-carved from ivory, shell or stones.  There is some (possibly apocryphal) record of Alexander the Great presenting his Persian lover, Bagoas, with a ring containing a portrait cameo of himself carved in chalcedony.  You can still find some natural-material cameos, like these black lip shell examples, but hand-carved ones are rarer than ever.
More on cameos, plus multiculturalism in Victorian accessories, on Monday!

Treasury Wednesday: Black and white photos of African animals

This was inspired because I was thinking about safari animals and how popular animal prints are supposed to be this summer, after listing some of my early '70s giraffes:


Available here.

And then I saw the gorgeous polymer clay tree pendant there in the first row and decided to go from there. Originally I planned black and white with only grass-green accents, but then I fell in love with the tapir bookmark.

'Monochrome Safari' by balletllama

Animal prints in black and white with accents of blue and green.

Fun and Funky Zebra... SeaPinks $14.00	Silhouette's Tr... abrowndesigns $25.00	Tapir Bookmark Gree... BlueEyedNightO... $9.00	skunkcup . . . teac... staceywinters $6.00
Black and white Gi... jeneseque $19.99	Build-a-Bag Traveli... IslandGirlsJew... $12.50	Zebra Ceramic Face ... BigSkyArtworks $25.00	Fanny and Alexander... irenesuchocki $35.00
Handmade polymer cl... TulipsBeadsand... $2.75	Black and White Bir... applescraps $45.00	Conus Shell Chiclet... momadonnas $19.00	Wristlet in Snake P... mcallistertuxe... $15.00
Wild Birthday plainjanecards $4.00	Thirsty Giraffe (m... halluejah $79.99	Black and White Zeb... myglamour $32.00	2 For 1 Sale - It&#... WildLifePrints $20.00

Treasury tool is sponsored by Lazzia.com A/B image testing.