* I would really like to know what I'm doing right with Alchemy bids.
Seriously. I've had tons of interest and two commissions in the same number of weeks. What gives? What changed?
* Wire wrapping is AWESOME.
I've always loved heavily wire-wrapped pieces -- the ones that have that woodlandy, chaotic beauty with wire wrapping in on itself in layers and layers -- and yesterday, with some brass ring bases I got on clearance and leftover silver and brown copper wire, I think I got the hang of it. I'm wearing one of the rings right now (a piece of what I think is agate and fluted antique brass rounds, with a spiral of goldtone and wrapping in silvertone wire, on a wide antique brass ring base) and it gives me a little flutter of joy every time I look at my left hand. I also did a pendant with Czech pressed glass blossoms and leaves over a leftover square glass bead, and it has a WONDERFUL fairy-garden look. I feel like an artist.
* Condescending people suck.
I understand the need to distinguish between art and assembly, but this leads to a certain ... attitude in the Etsy forums. Technically under the Etsy rules putting a purchased pendant on a purchased chain qualifies the result to be sold as "handmade." And I understand that putting beads on a wire doesn't sound any more "handmade" to someone who hand-solders recycled metal, or some such. But statements like "Even the beader does SOME design work" make my hackles rise. Quilters select fabrics to go together in a pattern, I select beads and components to go together in a pattern, if you look at my pieces you can see I'm not just putting stuff together randomly or putting the same bead on the wire thirty times, don't dishonor my art form. *sigh*
* The average high school graduate has no understanding of tone.
I judge this by my own students. They're bright, bright kids, and they think they know it until I ask them to identify it, and then we both suddenly realize the kid has no clue what I'm trying to point out.
* I saw an EXcellent play last week.
"Doin' Time in the HomoNoMo Halfway House: How I Survived the Ex-Gay Movement," by Peterson Toscano, is a phenomenal show. I share an office at work with the performer, Vincent Cervantes, and he's as kind, funny and wise in person as onstage. Also, he's got enough acting talent to make you both laugh out loud and get a lump in the throat within the same three-minute section of the show. Anyone who has acted knows how hard it is to make a mood whiplash like that effective. If you have a chance to see this, run-don't-walk to get tickets. It's both roaringly funny and touchingly meaningful.
* I have GOT to be more careful about cutting chain.
I have a charm bracelet I may have to remake tonight because I misjudged and clipped it too short by one. Freaking. Link. It's a fun charm bracelet, though; 60's music flower-power themed with some I *heart* NY stuff. So not as bad as it could be.
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